2025屆天津市十二區(qū)重點(diǎn)學(xué)校高三年級(jí)下冊(cè)畢業(yè)聯(lián)考（一）英語(yǔ)試題（附答案解析）

2025屆天津市十二區(qū)重點(diǎn)學(xué)校高三下學(xué)期畢業(yè)聯(lián)考（一）英語(yǔ)

試題

學(xué)校:姓名：班級(jí)：考號(hào)：

一、未知

1.一Guesswhat?YouareonthelistoftheexchangeprogramforfurtherstudyinTsinghua

University!

-_Ineverthoughtofthat.

A.Thankyousomuch.B.It'sjustapieceofcake.

C.Ifsasurpriseindeed.D.Youarereallyaluckydog.

2.Rick'scookingwasalwaysgoodbutthistimehereally_himself.

A.excelledB.equalledC.emergedD.existed

3.AInursingworkersareemotionallystableandtechnicallyreliable_raditionalhumannurses.

A.intermsofB.inadditiontoC.inharmonywithD.incontrastto

二、單項(xiàng)選擇

4.WhatIfinallybelieveisthatit'sofnoimportanceothersthinkaboutyou,andwhat

mattersmostistheattitudeofyourown.

A.whatB.how

C.thatD.way

三、未知

5.Normally,afamousoldnameonafirmmeansa_ofqualityforcustomers.

A.permissionB.guaranteeC.philosophyD.expectation

6.Since_,thefilm,NeZha2,hasattractedcountlessaudiencesintotheaters.

A.releasedB.toreleaseC.releasingD.havingreleased

7.Withastrongspiritofinnovation,Chinesescientistsare_makingbreakthroughsinthe

developmentofnewtechnologies.

A.strangelyB.constantlyC.casuallyD.relatively

四、單項(xiàng)選擇

8.TheYangBOTprogramatthe2025CCTVSpringFestivalGala,thousandsof"likes”

andlotsofgoodcommentsfromthepubliconline,isaperfectmixofChina'stechprogressand

culturalpride.

A.drawnB.havingdrawnC.todrawD.havingbeendrawn

9.youfullyunderstandtheinstructionsoftheexperiment,yourlifewon'tbe

secured.

A.UnlessB.IfC.OnceD.When

10.Atpresent,yoga,alongwithdeepbreathingexercisesandTaichi,oneofthemost

beneficialactivitiesforhealthandwellness.

A.wasconsideredB.isconsideredC.wereconsideredD.areconsidered

五、未知

11.Ifirmlybelievethata_smilecanbridgegapsbetweenpeoplefromdifferentcountries.

A.genuineB.matureC.complexD.distant

12.MyiPad_startthismorning.Theremusthavebeensomethingwrongwithit.

A.shouldn'tB.mustn'tC.needn'tD.wouldn't

13.OnDecember5,2024,theSpringFestivalwasaddedtotheRepresentativeListofintangible

CulturalHeritagebyUNESCO,_filledeveryChineseheartwithjoyanddignity.

A.asB.whatC.whichD.that

14.Accordingtostatistics,educationexpenses_alargepartoffamilyspending.

A.accountforB.knockdownC.figureoutD.consistof

六、單項(xiàng)選擇

15.Thatyoungman'sinterviewdidn'tgosowell,itdidn't_tohim.

A.tickalltherightboxes

B.bravetheelements

C.throwthebabyoutwiththebathwater

D.takeintoaccount

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七、未知

FivegirlstudentsoftheUniversityofGeorgiaweretravelingfromAthenstoSavannahfor

aweekendcelebration.AfterturningalongMurrayHillRoad,thegroupofstudentsthe

BrierCreekbridgeandsawsomething—adustcloudbelowthebridgewithaflashof

whitelight.

“Wepulledoversuper,turned,wentdownthishilltothatareaandwejustsawa

whitecarsinking,saidMollyMcCollum,oneofthestudents.

McCollumaddedthatshewasinshockatwhatshewasseeing-sayingsheknew

shehadtoanddosomethingaboutthesituation.Thestudentsproceededtooutof

theircarandtowardthethreepassengers,amomandtwokids.Twoofthestudentsentered

thewatertogetthetosafetywhiletheothersgatheredsuppliesandcommunicatedwith

responders.

Seeingakid,onestudentputherlifeguardingskillstothebyperforming

CPR（心月市復(fù)蘇術(shù)）onhimimmediately.Itwasaworst-casesituation-butsomehow,withina

minute,thekidbegan.TheBurkeCountySheriff'sOfficesaidallthreesurvivorsofthe

incidentweresenttoahospital——andthattheyweretoleavethehospitalthenextday.

McCollumsaid,“Thesinkingwasauniquecatastrophe（災(zāi)難）.Actually,thereare

peopleallaroundusallthetime.Ifwecanthefrequentopportunitiesthatariseto

helpandupliftoneanother,theoutcomescanbejustasimpactfulasinincatastrophic

events.^^

Thefivegirlstudentswhotookpartintherescuewerewithalife-savingheroism

awardfromtheUniversityofGeorgia.The"hero"getssaidaboutsportsstarsandothers,

butthesefivearetrueheroes.

16.A.designedB.attackedC.removedD.approached

17.A.irregularB.oddC.naturalD,pleasant

18.A.hardB.lateC.highD.fast

19.A.underwaterB.overheadC.nowhereD.beforehand

20.A.frequentlyB.secretlyC.originallyD.typically

21.A.breakoutB.stepinC.bouncebackD.carryon

22.A.leaveB.standC.jumpD.cross

23.A.rushB.turnC.parkD.shout

24.A.victimsB.witnessesC.companionsD.participants

25.A.serviceB.healthC.mediaD.emergency

26.A.painfulB.hopelessC.senselessD.nervous

27.A.experimentB.testC.fightD.stage

28.A.weepingB.chattingC.respondingD.running

29.A.liberatedB.permittedC.recordedD.motivated

30.A.boatB.bridgeC.treasureD.vehicle

31.A.strugglingB.botheringC.escapingD.appreciating

32.A.takeadvantageofB.makeupforC.adduptoD.lose

sightof

33.A.callingB.believingC.assistingD.checking

34.A.filledB.honoredC.equippedD.loaded

35.A.storyB.ideaC.phraseD.term

ShortStoryCompetitionTheV.S.PritchettShortStoryPrize

TheVS.PritchettShortStoryPrizeheldbytheRoyalSocietyofLiterature(RSL)annually

iscurrentlyopenforentries.Entriesfromthoseover18yearsoldwhoareresidentintheUKare

welcome.

Closes:20August

Wordlimit:2.000—4,000words

Entryfee:Free

Prize:f1,000andpublicationinProspectonline

TheTasmanianWriters9Prize

Since2009,FortySouthPublishinghasawardedwriterstheTasmanianWriters5Prizefor

themostoutstandingshortstorysubmittedintothiscompetition.EntriesfromAustralianandNew

Zealandresidentsarewelcome.

Closes:15February

Wordlimit:3,000—4,000words

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Entryfee:$20

Prize:$500andpublicationinFortySouth

TheNatureWritingPrize

CreatedbytheNatureConservancyAustralia,theNatureWritingPrizeisopenfor

submissions.Writers,18yearsandolder,areinvitedtowriteanessaytoexploretheirrelationship

andinteractionwiththeAustralianlandscape.

Closes:19February

Wordlimit:3,000—5,000words

Entryfee:$25

Prize:$7,500andpublicationinGrijfithReviewonline

TheStringybarkOpenShortStoryAward

StringybarkPublishingisaskingwriterstoenterashortstoryintotheStringybarkOpen

ShortStoryAward.Thejudgesarelookingforastorywrittenforanaudienceof16yearsand

older.

Closes:31January

Wordlimit:1,500—1,800words

Entryfee:$14for1story,$26for2stories,$36for3stories(max)

Prize:Over$1,000incashandbooks

36.WhatdoweknowaboutthecompetitionheldbytheRSL?

A.Itisfreeforparticipants.

B.Itsdeadlineis19February.

C.Itisopenforwritersacrosstheworld.

D.Itsentriesareforreadersof18yearsorolder.

37.WhichisTRUEabouttheTasmanianWriters5Prize?

A.Ithasanentryfeeof$25.

B.Ithasahistoryof20years.

C.Itswinnercangethisstorypublished.

D.ItwelcomesentriesfromresidentsintheUK.

38.Whatisthewordlimitforstoriesexploringthehuman-naturerelationship?

A.1,500——1,800words.B.2,000—4,000words.

C.3,000~4,000wordsD.3,000——5,000words.

39.Whichcompetitionawardsitswinnerscashandbooks?

A.TheNatureWritingPrize.

B.TheTasmanianWriters9Prize.

C.TheV.S.PritchettShortStoryPrize.

D.TheStringybarkOpenShortStoryAward.

40.Howmanycompetitionshaveagerequirementforparticipants?

A.1B.2.C.3.D.4.

Theafternoonairwasthickandwarm,andbythetimemydadandIreachedthebay,which

wecalledaswimmingpalace,myclothesweredampanditchyonmyskin.Daddivedintoa

splash,headingouttowardtheedgeofournarrowbay.Overwhelmed,suddenly,withenvy,Idid

whatIhadn'tdoneinyears:Iheldmybreathandpulledmyownheadunderwater.

There,suspendedbeneaththeglimmering（閃著微光）surface,Iremembereditall一my

loveofdiving,swimming,riversandlakes.Iknewwhatitwaslikeagain:tobefreeandfully

presentinmyownskin.

ThoughI'vealwayslovedthewater,Ihadspentsevenyearspriortothatdaystayingaway

frommomentslikethisone.Iwasafraid.Strugglingforalongtimewithunhelpfultreatments,

andthepressuresofteenagegirls'appearance,Ihadbecomeentirelyreliantonmymakeup.I

neededtotalcontroloverhowIlooked,andgoingswimmingmeantwashingthiscontrolaway.

MybarefaceandnaturalappearancewerenotsomethingIidentifiedwith.Ihatedit,deeply,

thoughIwishedmorethananythingthatIdidn't.

Butthose10minutesofcontentmentIfloatedwithinwerefuelforthenextchapterofmy

life.Suddenly,itdidn'tmatterhowIdidit.Whetherthroughmedicationormentalattitude,I

wouldfindawaytohavethekindoflifethatallowedmetodiveintothewater.

Thatdaywasthebeginningofaslowbutdeterminedjourneybacktomyownbody——a

slowunlearningofmydeepself-consciousness.Lifedidn'tchangeinaheartbeat:Ireturnedtothe

shorewithallthesamefears,butIclothedmyselfinanewdeterminationtochangethings.Ifelt

thetideturn.

Reflectingonthismomentagaintoday,itseemsstrangetothinkthatgoingbare-facedonan

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emptybeachwassuchachallenge.ButthisisexactlytheperspectiveIhadoncedreamedof

reaching.IdomybestnevertotakeforgrantedthisfreedomIhavefound.Iwillsinkunderthe

surfaceofthewater,embracingthatswelloffearandjoyandliberation.

41.Whatcanwelearnfromthefirstparagraph?

A.MyfatherandIwentcamping.

B.Theweatherwascoolandsunny.

C.Whatmyfatherdidinspiredme.

D.Itwasdangeroustoswiminthebay.

42.Theauthoravoidedswimmingforsevenyearsbecause.

A.shehadnoaccesstothebay.

B.shehadtoreceivetreatments.

C.shehatedtoreapplyhermakeup.

D.shefeltinsecurewithoutmakeup.

43.Whatdoestheunderlinedword"it"meaninparagraph3?

A.Myappearance.B.Goingswimminginthesea.

C.Unhelpfultreatment.D.Pressureofteenagegirls.

44.Howdidtheauthorfeelaftershereturnedfromthediving?

A.Hesitant.B.Determined.C.Proud.D.Joyful.

45.Whatmessagedoestheauthorwanttoconveyinthepassage?

A.Youcan'tjudgeabookbyitscover.

B.Beautyisintheeyeofthebeholder.

C.Self-acceptanceisthegreatestgift.

D.Nothingisdifficulttoawillingheart.

Teenbrainsagedfasterthannormalfromstressbyatleastthreeyears,astudyhasfound.

Thestudy,publishedinBiologicalPsychiatry:GlobalOpenScience,wasthefirsttocompare

examinationsofthephysicalstructuresofteenagers9brainsfrombeforeandafterthestressstarted,

andtodocumentsignificantdifferences.

Researchersknewteenshadhigherlevelsofdepression,anxietyandfearfulnessthanbefore

thestress.Butweknewnothingabouttheeffectsontheirbrains.Theresearchersfoundgrowthin

brainareasthatcontrolaccesstosomememoriesandhelpcontrolfear,stressandotheremotions.

Premature（過(guò)早的）agingofkids'brainsisn'tapositivedevelopment.Theirstressful

childhoodexperiencesnotonlymakepeopleeasiertosufferfromdepression,anxietyandother

mentalillnesses,buttheycanraisetheriskofcancer,heartdiseaseandotherlong-termnegative

outcomes.

Thescientiststriedtomakeouthowthestressitselfmayhaveimpactedthephysical

structureofthechildren'sbrainsandtheirmentalhealth.Theymatchedpairsofchildrenwiththe

sameage,genderandstress."Thatallowedustocompare16-year-oldsbeforethestresswith

different16-year-oldsassessedafterthestress,"saidIanGotlib,apsychologyprofessorat

StanfordUniversity.

Todeterminethebrainageoftheirsamples,theresearchersfedtheirbrainexaminations

intoamachine-learningmodelforpredictingbrainagedevelopedbytheENIGMA-BrainAge

workinggroup,aco-operationamongscientistswhosharetheirbrainimagedatasets.Theyalso

appraisedmentalhealthoutcomesreportedbythematchedpairs.Theyfoundmoresevere

symptomsofanxiety,depressionandinternalizing（內(nèi)在化的）problemsinthegroupthathad

experiencedthestress.

DanSiegel,clinicalprofessorofpsychiatryattheUCLASchoolofMedicine,notedthat

manyindividualsexperiencepost-traumatic（倉(cāng)ij傷后的）growthafterastressfulexperience."'This

isausefulinitialstudy,“agreedDavidFassler,clinicalprofessorofpsychiatryattheUniversityof

Vermont.64Iexpecttheresultswillinformthedesignoffutureresearchinitiatives.^^

46.Whatcanwelearnfromthefirsttwoparagraphs?

A.Researchershadagoodknowledgeofaging.

B.Stressgreatlyinfluencedteenagers5brains.

C.Braingrowthimprovedteenagers9happiness.

D.Badmemoriesresultedinnegativeemotions.

47.Whatisthemainideaofparagraph3?

A.Thepositivedevelopmentofteenagebrains.

B.Thestressfulchildhoodexperienceofteenagers.

C.Theimpactofprematureagingofkids'brains.

D.Thementalillnessthatteenagerssuffer.

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48.Whywasthemachine-learningmodeldeveloped?

A.Tosatisfytheneedofthemarket.

B.Toanalyzethebrainageofsamples.

C.Topredictmentalhealthoutcomes.

D.Tosolveinternalizingproblems.

49.Whafsprobablythemeaningoftheunderlinedwordinparagraph5?

A.behavedB.complainedC.objectedD.evaluated

50.WhatwasDavidFassler'sattitudetothestudy?

A.Favorable.B.Indifferent.C.Doubtful.D.Unclear.

Assomeonecloselyinvolvedinthefashiontechindustry,I'vewatchedthegrowthofthe

Chineseshortdramafromitsearlydays.Chineseshortdramas-alsoknownas"'verticalshorts^^or

“miniTVseries^^一arebecomingmorepopularintheglobalmarket.BytheendofFebruary2024,

theUSemergedasakeymarketforthesedramas.AccordingtoSensorTower,amobile

applicationdataanalysiscompany,ChineseplatformslikeReelShort,DramaBoxandGoodShort

generated69,57and66percentoftheirtotalearningsfromtheUSmarket,respectively.

Despitetheirmarketpotential,Chineseshortdramasstillfacechallengesinglobal

expansion,includingculturaldifferencesandlanguagebarriers.HerearesomestrategiesIbelieve

couldhelpthemsucceedinWesternmarkets.

First,theyneedtolocalizetheircontentmoreeffectively.Thismeansworkingwithnative

speakersandprofessionalsfromthetargetcountry.Fveencounteredmanytranslatedscripts（居本）

thatlacknaturalexpressionsandlogicalflow,oftentheresultofmachinetranslation.Additionally,

sincemostChineseshortdramasareaimedatwomen,it'sessentialtoinvolvemorewomen

writers,directorsandproducers.Withagrowingaudienceofwomenover35,ifsimportantto

showwomeninleadershiprolesandtellstoriesthatreflecttheirreal-lifeexperiencesand

ambitions,avoidingcliched（老套的）Cinderella-stylerescuestories.

Shortdramascanalsoattractmoreyoungaudiencesbypartneringwithfashionandlifestyle

brands.Comparedtotraditionalfilmsthatrelyonticketsalesandproductplacement,Chinese

shortdramasuseapay-to-viewmodel,allowinginvestorstoseesignificantreturns.I'venoticed

thatoverseasaudiencesareoftenwillingtospend$40-100（about292—730yuan）towatch

high-qualityseriesontheirmobiledevices.Theseplatformsservepeoplewhoenjoywatching

contentduringdailytravelorintheirfreetime.Withyoungergenerationsusingsocialmediamore

forentertainment,thistrendislikelytogrow,makingshortdramasasmartandlong-term

investment.

IalsobelieveAIwillplayacrucialroleinexpandingshortdramastoryideas.AIcanassist

withpre-production,planningandscheduling,whichisespeciallyvaluableforlow-budget

projects.GenerativeAIcancreatebackgrounds,impressivewide-anglesceneswithcrowdsand

specialeffects,startinganeweraofdigitalcontentcreationthatcrossesborders.

Whilechallengesremain,theyalsopresentopportunitiesforinvestorsseekinghighreturns.

Bystrengtheninginternationalcollaboration（合作），promotingculturalexchangeandusingupAI

technologytocomeupwithnewkindsofstories,IbelieveChineseshortdramascansucceedin

overseasmarkets.

51.WhatchallengedoChineseshortdramasfaceinglobalmarkets?

A.Highproductionexpenses.B.Cultureandlanguagebarriers.

C.Outdatedmarketingstrategies.D.Limitedinterestintheircontent.

52.Whydoestheauthoremphasizetheinvolvementofwomencreatorsinshortdramas?

A.Toattractnewagegroups.B.Toensurediversestorytelling.

C.Tomeetthetargetaudience'sneeds.D.Tobalancethegenderratioofcreators.

53.Howdoshortdramasprofitdifferentlyfromtraditionalfilms?

A.Bysellingbrandedmerchandise.B.Bychargingapay-to-viewfee.

C.Bypartneringwithfashionbrands.D.Byrelyingonmobileadvertisements.

54.Accordingtotheauthor,whatroledoesAIplayinshortdramaproduction?

A.Improvingscripttranslations.B.Addingmoreentertainmentelements.

C.Designingcharactersandcostumes.D.Enhancingstorycreationandspecialeffects.

55.Whichisthebesttitleofthepassage?

A.StrategiesforShortDramatosucceedinWesternMarkets

B.RiseofChineseShortDramasintheWesternmarkets

C.AI:KeytoShortDrama9sSuccessinForeignMarkets

D.ShortDramas:GlobalAchievementsObstacles

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閱讀下面短文，按照要求完成閱讀任務(wù)。

Notlongago,my12-year-oldson,Lucian,andIwerestandingontheknifededge.Imean

thisquiteliterally.Wehadjustcompletedafour-dayhikeinMainethatconcludedbyclimbing

MountKatahdin.Atitshighestpeak,MountKatahdihasanextremelydramatic,mile-longridge

(山脊)knownastheKnifeEdge.Ifsscaryandquitedangerous:Themountainhasclaimedat

least17lives.Weknewwehadtobecareful,butsurprisingly,th