【課件】第1課 美術(shù)作品的創(chuàng)作 課件-2022-2023學(xué)年高中美術(shù)人教版（2019）美術(shù)鑒賞

1、e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0想一想：1.這兩件作品是

2、如何創(chuàng)作完成的？2.如何達(dá)到了這樣的藝術(shù)高度？基本問題1.美術(shù)作品是如何創(chuàng)作出來的？2.它與社會(huì)生活之間的關(guān)系是怎樣的？思考e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88

3、F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0導(dǎo)語美術(shù)作品的主題和表現(xiàn)形式雖各不相同，但創(chuàng)作過程卻存在著某種程度的相似，并遵循共同的創(chuàng)作規(guī)律。了解美術(shù)作品的創(chuàng)作過程是鑒賞美術(shù)作品的重要基礎(chǔ)。e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF

4、361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0鑒 賞 基 礎(chǔ)e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF36175

5、5B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0第1課 美術(shù)作品的創(chuàng)作目MU錄LU0102藝術(shù)高于生活藝術(shù)不是現(xiàn)實(shí)生活的翻版，而是現(xiàn)實(shí)生活的升華e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E

6、571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0藝術(shù)源于生活生活既是美術(shù)創(chuàng)作的原因與動(dòng)力也為美術(shù)創(chuàng)作提供了靈感與素材0 1藝術(shù)源于生活作品創(chuàng)作背景藝術(shù)家如何收集素材e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB029

7、6A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101

8、A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0作品創(chuàng)作的背景是什么？藝術(shù)家是如何搜集素材的？e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296

9、A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A

10、21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C3

11、9966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B691

12、16E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571

13、E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78

14、F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0作品創(chuàng)作的背景是什么？藝術(shù)家是如何搜集素材的？e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E

15、25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F

16、737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25

17、AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5E

18、D6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA83

19、1C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0作品梅杜薩之筏愚公移山作者籍里柯徐悲鴻主題（題材）海難寓言故事創(chuàng)作形式西方油畫寫實(shí) 浪漫主義中國水墨與西方素描技法融合的寫實(shí)技法 內(nèi)容陰沉的天空下，海浪洶涌，木筏上有近20位姿態(tài)各異的船員等。叩石墾壤的開山場景，幾個(gè)魁梧結(jié)實(shí)的壯年男子呈弧形分布，手持釘耙，蓄力待發(fā)；愚公、“婦孺”與運(yùn)石場景。創(chuàng)作背景及核心主旨梅杜薩號(hào)觸礁，海難人為釀造，當(dāng)權(quán)者企圖掩蓋真相，激起公憤，作品還原歷史，抗日最艱苦的年代，以愚公移山的精神艱苦奮

20、戰(zhàn)，奪取抗日戰(zhàn)爭的勝利。意義呼喚真實(shí)，教育人民堅(jiān)強(qiáng)的毅力，持之以恒，戰(zhàn)勝一切困難e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9

21、C9915F03AEEF790C3E73F1F67BE0它取材于哪里？表現(xiàn)了哪段情節(jié)？徐悲鴻為什么要?jiǎng)?chuàng)作它？e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F0886278

22、1F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0作品愚公移山田橫五百士主題（題材）寓言故事史記中的農(nóng)民起義故事創(chuàng)作形式中國水墨與西方素描技法融合的寫實(shí)技法 西方寫實(shí)油畫技法內(nèi)容叩石墾壤的開山場景，幾個(gè)魁梧結(jié)實(shí)的壯年男子呈弧形分布，手持釘耙，蓄力待發(fā)；愚公、“婦孺”與運(yùn)石場景。農(nóng)民起義領(lǐng)袖田橫與五百壯士訣別的場面。創(chuàng)作背景及核心主旨抗日最艱苦的年代，以愚公移山的精神艱苦奮戰(zhàn)，奪取抗日戰(zhàn)爭的勝利。當(dāng)時(shí)政局動(dòng)蕩，日寇在中國橫行，意在通過田橫故事，歌頌寧死不屈的精神。意義堅(jiān)強(qiáng)的毅力，持之以恒，戰(zhàn)勝一切困難。激發(fā)斗志，激發(fā)不屈精神。藝術(shù)源于生活創(chuàng)作動(dòng)機(jī)創(chuàng)作靈感創(chuàng)作素材

23、美術(shù)作品的創(chuàng)作e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0美術(shù)創(chuàng)作是

24、藝術(shù)家對(duì)現(xiàn)實(shí)生活的審美表達(dá)。所有的創(chuàng)作都離不開時(shí)代，離不開藝術(shù)家對(duì)生活的理解、感悟和研究。只有在生活的源泉中汲取營養(yǎng)，真實(shí)地反映社會(huì)生活并真誠地表達(dá)對(duì)生活的感受，作品才會(huì)具有生命力。0 2藝術(shù)高于生活提煉素材作品進(jìn)行了怎樣的藝術(shù)處理e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755

25、B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145C

26、A831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0遠(yuǎn)近疏密靜動(dòng)衣紋：中國傳統(tǒng)畫法身體結(jié)構(gòu)和體積塑造：西方寫實(shí)的技法作品進(jìn)行了怎樣的藝術(shù)處理？在構(gòu)圖、人物表現(xiàn)上有什么特點(diǎn)？e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E5

27、71E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0籍里柯為什么選擇了右圖的處理方法？e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2E

28、E84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0作品進(jìn)行了怎樣的藝術(shù)處理？構(gòu)圖、色彩、光線分別有什么特點(diǎn)？藝術(shù)高于生活選擇創(chuàng)作題材提煉創(chuàng)作素材精心經(jīng)營畫面有力表達(dá)主旨美術(shù)作品的創(chuàng)作e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D

29、7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0遠(yuǎn)近疏密靜動(dòng)衣紋：中國傳統(tǒng)畫法身體結(jié)構(gòu)和體積塑造：西方寫實(shí)的技法毛澤東延安文藝座談會(huì)上的講話美術(shù)作品的創(chuàng)作e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047

30、FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0 作為觀念形態(tài)的文藝作品，都是一定的社會(huì)生活在人類頭腦中反映的產(chǎn)物。 文藝作品中反映出來的生活卻可以而且應(yīng)該比普通的實(shí)際

31、生活更高、更強(qiáng)烈、更有集中性、更典型、更理想，因此就更帶普遍性。小結(jié)本課鑒賞了愚公移山和梅杜薩之筏兩幅作品，重點(diǎn)探討了美術(shù)作品的創(chuàng)作過程，主要目的是比較深入地理解美術(shù)作品源于生活又高于生活的辯證關(guān)系，以及兩位杰出的畫家對(duì)待現(xiàn)實(shí)生活的態(tài)度，從而更好地鑒賞美術(shù)作品。e7d195523061f1c0600ade85ab8d19863d296bbd6d3c8047FB0A4867354E4F1E3A7DEAE3C4C4B5C9777EC9E9D7F78045DB0296A4194571101A21F67FC7D6C39966CE50B69116E2EE84E571E25F3C0CCE78F737F56ECDB25AFF361755B5ED6B39145CA831C4BEA6709EF0234751A6D5B60028A97A61AC88F08862781F77C4005CAAB9C9915F03AEEF790C3E73F1F67BE0清代畫家鄭板橋曾經(jīng)講述他畫竹的三個(gè)階段：“江館清秋，晨起看竹，煙光、日影露氣，皆浮動(dòng)于疏枝密葉之間。胸中勃勃遂有畫意。其實(shí)胸中之竹，并不是眼中之