中西文化差異(英文)

CULTURALDIFFERENCESBETWEENCHINAANDITALYTALYSPUBLICEDUCATIONISFREEANDCOMPULSORYFROM614YEARSOFAGEITHASAFIVEYEARPRIMARYSTAGEANDANEIGHTYEARSECONDARYSTAGE,DIVIDEDINTOFIRSTGRADESECONDARYSCHOOLMIDDLESCHOOLANDSECONDGRADESECONDARYSCHOOLORHIGHSCHOOLITALYHASBOTHPUBLICANDPRIVATEEDUCATIONSYSTEMSPRIMARYSCHOOLLASTSFIVEYEARSUNTILMIDDLESCHOOL,THENORMALEDUCATIONALCURRICULUMISUNIFORMFORALLALTHOUGHONECANATTENDAPRIVATEORSTATEFUNDEDSCHOOL,THESUBJECTSSTUDIEDARETHESAME,EXCEPTINSPECIALSCHOOLSFORPUPILSWITHDIFFERENTCAREREQUIREMENTSSECONDARYEDUCATIONSCUOLEMEDIEISFURTHERDIVIDEDINTWOSTAGESMEDIEINFERIORI,WHICHCORRESPONDTOTHEMIDDLESCHOOLGRADES,ANDMEDIESUPERIORI,WHICHCORRESPONDTOTHEHIGHSCHOOLLEVELTHELOWERTIEROFSCUOLEMEDIECORRESPONDSTOMIDDLESCHOOL,LASTSTHREEYEARS,ANDINVOLVESANEXAMATTHEENDOFTHETHIRDYEARSCUOLESUPERIORIUSUALLYLASTFIVEYEARSEVENTHOUGHISTITUTIPROFESSIONALIMIGHTOFFERADIPLOMAAFTERONLYTHREEYEARSEVERYTIERINVOLVESANEXAMATTHEENDOFTHEFINALYEARREQUIREDTOACCESSTHEFOLLOWINGTIEREDUCATIONWWWCOMPANYNAMECOM2016PPT001POWERPOINTMULTIPURPOSETHEMEALLRIGHTSRESERVED3列奧納多迪皮耶羅達芬奇（意大利文原名LEONARDODISERPIERODAVINCI，儒略歷1452年4月15日（公歷4月23日）1519年5月2日，享年67歲），意大利學(xué)者、藝術(shù)家。歐洲文藝復(fù)興時期的天才科學(xué)家、發(fā)明家、畫家?，F(xiàn)代學(xué)者稱他為“文藝復(fù)興時期最完美的代表”，是人類歷史上絕無僅有的全才，他最大的成就是繪畫，他的杰作蒙娜麗莎、最后的晚餐、巖間圣母等作品，體現(xiàn)了他精湛的藝術(shù)造詣。他認為自然中最美的研究對象是人體，人體是大自然的奇妙之作品，畫家應(yīng)以人為繪畫對象的核心。4伽利略（GALILEOGALILEI，1564021516420108）。意大利數(shù)學(xué)家、物理學(xué)家、天文學(xué)家，科學(xué)革命的先驅(qū)。伽利略發(fā)明了擺針和溫度計，在科學(xué)上為人類作出過巨大貢獻，是近代實驗科學(xué)的奠基人之一。歷史上他首先在科學(xué)實驗的基礎(chǔ)上融匯貫通了數(shù)學(xué)、物理學(xué)和天文學(xué)三門知識，擴大、加深并改變了人類對物質(zhì)運動和宇宙的認識。伽利略從實驗中總結(jié)出自由落體定律、慣性定律和伽利略相對性原理等。從而推翻了亞里士多德物理學(xué)的許多臆斷，奠定了經(jīng)典力學(xué)的基礎(chǔ)，反駁了托勒密的地心體系，有力地支持了哥白尼的日心學(xué)說。他以系統(tǒng)的實驗和觀察推翻了純屬思辨?zhèn)鹘y(tǒng)的自然觀，開創(chuàng)了以實驗事實為根據(jù)并具有嚴密邏輯體系的近代科學(xué)。因此被譽為“近代力學(xué)之父”、“現(xiàn)代科學(xué)之父”。其工作為牛頓的理論體系的建立奠定了基礎(chǔ)ETIQUETTEDIFFERENCEBETWEENCHINAANDAMERICADUETOTHEDIFFERENTHISTORYANDCULTUREOFCHINAANDTHEUNITEDSTATES,THETWOPEOPLEINTHEDECENCYCOMMUNICATIONHABITSHAVEMANYDIFFERENCES1GREETINGINAMERICA,PEOPLEOFTENUSETHEFOLLOWINGEXPRESSIONSTOGREETEACHOTHER“GOODMORNING/EVENING/AFTERNOON“FINEDAY,ISNTIT”HOWISEVERYTHINGGOING”WHILEINCHINA,WEALWAYSSAY“你吃了嗎”“你上哪里去”“你干什么去”TOSHOWOURCONSIDERATION2CONVERSATIONINTHEUNITEDSTATES,DONOTTALKABOUTPRIVATEAFFAIRSSUCHASAGE,INCOME,MARRIAGE,BELIEFBUTINCHINA,CHINESEPEOPLEONPRIVACYBOUNDARIESARENOTSODEEPTHEYDONOTCAREABOUTWHETHERPEOPLEUNDERSTANDTHEIRGENERALLIFETHEREFORE,COMMUNICATEWITHAMERICANS,IFWEDONTPAYATTENTIONTOTHISPOINT,THEPERSONMAYTHINKTHATWEHAVEULTERIORMOTIVES,SOMETIMESABUSINESSDEALMAYWASTED3PRESENTGENERALLY,AMERICANSDONTSENDGIFTSWHILESENDGIFTS,THEYUSEDTOSENDBOOKS,FLOWERS,CHOCOLATESANDOTHERTHINGSNOTVERYEXPENSIVETHEYPAYMOREATTENTIONTOTHEPACKAGING,SOMETIMESBEAUTIFULLYPACKAGEDINSIDEJUSTAFEWPIECESOFCHOCOLATE,THEYCAREMOREABOUTSINCERITY,RATHERTHANPRICECHINAHASTHISTOSAYGOODTHINGSSHOULDBEINPAIRS,SOTHECHINESEPEOPLEPAYATTENTIONTOPAIRSGIFTS，ANDTHEYAREMOREWILLINGTOSENDEXPENSIVETHINGSTOSHOWTHEIRSINCERITYINTOTAL,THEREAREALOTOFDIFFERENCESBETWEENTHEUSANDCHINESEINETIQUETTESOITISESSENTIALTOUNDERSTANDEACHOTHERETIQUETTEHABITS,NOTONLYRESPECTFOREACHOTHER,BUTALSOTOBRINGACONVENIENTARCHITECTURESTYLEDURINGTHEROMANREPUBLIC,MOSTROMANBUILDINGSWEREMADEOFCONCRETEANDBRICKS,BUTEVERSINCEABOUT100BCANDTHEROMANEMPIRE,MARBLEANDGOLDWEREMOREWIDELYUSEDASDECORATIONTHEMESINTHEARCHITECTUREOFROME,ESPECIALLYINTEMPLES,PALACES,FORAANDPUBLICBUILDINGSINGENERALROMANSMAINLYCOPIEDTHEIRORDERSFROMTHECORINTHIANORDERS,THEDORICORDERSANDTHEIONICORDERSTHEARCHITECTURESTYLEOFSPQRROMEISWIDELYREGARDEDASBEINGTHECENTEROFBAROQUEARCHITECTURE,ANDWASPROFOUNDLYINFLUENCEDBYTHEMOVEMENTBAROQUEARCHITECTUREBAROQUEARCHITECTUREBAROQUEARCHITECTUREISTHEBUILDINGSTYLEOFTHEBAROQUEERA,BEGUNINLATE16THCENTURYITALY,THATTOOKTHEROMANVOCABULARYOFRENAISSANCEARCHITECTUREANDUSEDITINANEWFASHION,OFTENTOEXPRESSTHETRIUMPHOFTHECATHOLICCHURCHANDTHEABSOLUTISTSTATEMALTAITALYSPAINPORTUGALROMANIAFRANCENETHERLANDSENGLANDPOLISHLITHUANIANCOMMONWEALTHHOLYROMANEMPIRESCANDINAVIATURKEY亭TINGCHINESEPAVILIONS臺TAITERRACES樓LOUMULTISTORYBUILDINGS閣GETWOSTORYPAVILIONS軒XUANVERANDASWITHWINDOWS塔TACHINESEPAGODAS榭XIEPAVILIONSORHOUSESONTERRACES屋WUROOMSALONGROOFEDCORRIDORS）CHINAARCHITECTURECLOTHINGHISTORYLIFESTYLETHOUGHTCULTURE01020304REASONREDWHITECONSERVATIVECOMFORTABLEBODYBEAUTYBOLDHOLYPURETHERELIGIOUSDIFFERENCESBETWEENITALYCHINA意大利與中國的宗教差異BY譚鑫輝YOUMUSTKNOWTHATHEREARESDIFFERENCESBETWEENNOODLESMALEMARRIESTHEWOMANGOTMARRIEDWITHRED“HI“ITALSOSYMBOLIZESTHEBEAUTIFULWHILEINTHE,WHITESYMBOLICSIGNIFICANCEFOCUSONTHEIROWNCOLORS,SUCHASSNOW,FRESHMILKWESTERNERSBELIEVETHATELEGANCE,PUREWHITE,SOITISINWESTERNCULTUREADVOCATINGCOLORITISASYMBOLOFPURITY,INNOCENCECHINAWESTREDWHITEWITHTHEDEVELOPMENTOFTHEWORLDEXCHANGESHAVEBECOMEMOREFREQUENTANDTHEDEVELOPMENTOFSCIENCEANDTECHNOLOGY,ININTERNATIONALEXCHANGES,WEAREFACEDWITHUNFAMILIARCULTURESANDWAYSOFTHINKING,LIFEHABITANDBEHAVIORWAYANDWEBETOTALLYDIFFERENTPEOPLE,INTHEPROCESSOFINTERACTIONWITHTHEINEVITABLECULTURALCONFLICTSTHROUGHTOCHINESEANDWESTERNTRADITIONALFESTIVALSREFLECTCULTURALDIFFERENCESINTHECOMPARATIVE,CANH