黃藥眠生活實(shí)踐論思想探究,文藝美學(xué)論文

黃藥眠生活實(shí)踐論思想探究,文藝美學(xué)論文【題目】黃藥眠生活實(shí)踐論思想探究【緒論】【第一章】【第二章】【第三章】【第四章】【余論/以下為參考文獻(xiàn)】摘要文藝美學(xué)是一門研究文學(xué)和藝術(shù)的審美特征和美學(xué)規(guī)律的學(xué)科。黃藥眠先生是我們國家當(dāng)代著名的文學(xué)理論家、作家、政治活動(dòng)家和教育家，北京師范大學(xué)一級(jí)教授、博士生導(dǎo)師，全國首批兩個(gè)文藝學(xué)博士點(diǎn)之一的開創(chuàng)建立者〔另一個(gè)是中國社科院文學(xué)所蔡儀先生〕。曾擔(dān)任中國文聯(lián)常務(wù)理事兼秘書長、作協(xié)參謀、中國文藝?yán)碚搶W(xué)會(huì)副會(huì)長等職。在上個(gè)世紀(jì)50年代初、中期，黃藥眠先生沖破了前蘇聯(lián)文論的教條化傾向，提出了生活實(shí)踐論的文藝美學(xué)思想。黃藥眠先生在政治活動(dòng)上、在文學(xué)活動(dòng)上都頗有建樹，以鮮明獨(dú)立的政治觀點(diǎn)、民主的作風(fēng)、富有創(chuàng)見的學(xué)術(shù)思想和豐富的成果而享譽(yù)國內(nèi)外。他獨(dú)樹一幟的文藝美學(xué)思想至今閃耀著智慧的光輝，其文藝思想中的實(shí)踐性理論、主體性理論、審美評(píng)價(jià)理論、典型性理論、藝術(shù)創(chuàng)作和藝術(shù)形式理論、文學(xué)批評(píng)和文學(xué)教育理論，以及其文學(xué)創(chuàng)作實(shí)踐和批評(píng)實(shí)踐等都能夠納入生活實(shí)踐論文藝美學(xué)這個(gè)總課題、總視域下來審視。本文以黃藥眠生活實(shí)踐論文藝美學(xué)思想為研究對(duì)象，對(duì)相關(guān)文獻(xiàn)進(jìn)行綜述，介紹了黃藥眠先生生平及其創(chuàng)作背景，對(duì)其文藝美學(xué)思想有總體性的把握；分析了黃藥眠生活實(shí)踐論文藝美學(xué)思想產(chǎn)生與發(fā)展的歷程、基本內(nèi)容、主要特征以及意義與影響。本文分為緒論等六個(gè)部分，華而不實(shí)緒論主要介紹本課題研究的內(nèi)容、意義和價(jià)值，綜述國內(nèi)對(duì)黃藥眠先生的研究，介紹論文的思路、框架與研究方式方法，討論把黃藥眠先生文藝美學(xué)稱之為生活實(shí)踐論文藝美學(xué)的原因和根據(jù)，生活實(shí)踐論文藝美學(xué)與其他形態(tài)的文藝美學(xué)有何異同。第一章介紹黃藥眠先生的生平與思想，通過對(duì)黃藥眠先生生平與著作的闡述，以及對(duì)其創(chuàng)作歷程與學(xué)術(shù)分期的把握，分析其美學(xué)文藝學(xué)研究的理論譜系，尋找其文藝?yán)碚撗芯吭谀男┓矫婢哂形乃嚸缹W(xué)的學(xué)科品格和理論特點(diǎn)，分析其生活實(shí)踐論文藝美學(xué)構(gòu)成的個(gè)人語境與時(shí)代語境。第二章介紹黃藥眠生活實(shí)踐論文藝美學(xué)的主要觀點(diǎn)，分別為論美之誕生、論美與藝術(shù)、美是審美評(píng)價(jià)三節(jié)，從黃藥眠先生大量的美學(xué)文藝學(xué)論文中，總結(jié)、分析、概括出黃藥眠生活實(shí)踐論文藝美學(xué)思想主要的觀點(diǎn)，從中把握其生活實(shí)踐論文藝美學(xué)的理論內(nèi)涵和特質(zhì)。第三章分析黃藥眠生活實(shí)踐論文藝美學(xué)的實(shí)踐維度，從黃藥眠先生大量的創(chuàng)作實(shí)踐作品和批評(píng)實(shí)踐作品中尋找典型的，更深切進(jìn)入、更詳細(xì)地分析黃藥眠生活實(shí)踐論文藝美學(xué)思想，并通過實(shí)踐維度的把握，來探究其思想內(nèi)涵。第四章分析黃藥眠生活實(shí)踐論文藝美學(xué)的理論特色，分為三節(jié)，分別是重視主義在美學(xué)中的運(yùn)用，建構(gòu)生活實(shí)踐本體論美學(xué)；強(qiáng)調(diào)文化積累與融匯貫穿，打通美學(xué)與文藝學(xué)研究；堅(jiān)持主體性與實(shí)踐性的統(tǒng)一，貫穿理論研究、創(chuàng)作實(shí)踐與批評(píng)實(shí)踐，通過對(duì)黃藥眠生活實(shí)踐論文藝美學(xué)思想主要內(nèi)容和實(shí)踐分析，總結(jié)、概括出其理論特質(zhì)，分析其理論特色之間的異同之處和內(nèi)在聯(lián)絡(luò)，并與其他形態(tài)的文藝美學(xué)進(jìn)行比擬，凸顯其獨(dú)特之處。最后一部分為余論，對(duì)全文進(jìn)行總結(jié)性概括，主要闡述黃藥眠生活實(shí)踐論文藝美學(xué)思想的影響和價(jià)值，包括其學(xué)術(shù)奉獻(xiàn)、理論意義和歷史地位。黃藥眠先生是現(xiàn)代著名的文學(xué)理論家，其文學(xué)思想極具獨(dú)創(chuàng)性、現(xiàn)實(shí)性和時(shí)代性，具有很高的理論價(jià)值，值得我們深切進(jìn)入挖掘和學(xué)習(xí)。本文關(guān)鍵詞語：黃藥眠；文藝美學(xué)思想；生活實(shí)踐論；創(chuàng)作實(shí)踐；批評(píng)實(shí)踐；美在評(píng)價(jià)講AbstractAestheticsofliteratureandartistheaestheticfeaturesandaestheticlawsastudyofliteratureandartdiscipline.ProfessorHuangYaomianisourcountrymodernfamousliterarytheorist,writer,politicalactivistandeducator,BeijingNormalUniversityProfessor,tutorofaprofessor,founderofthenationalfirstbatchoftwodoctorofliteratureof〔theotherisaChineseAcademyofsocialsciencesliteratureMr.ShiCaiyi〕。ServedasChineseWenlianexecutivedirectorandSecretaryGeneralofthewriters,consultants,ChinatheoryofliteratureandArtSocietyvicepresidentandotherstaff.Inthelastcenturyandearly50s,hebrokethroughthemiddle,dogmaticSovietliterarytheory,putforwardlifepracticeaestheticthoughtofliteratureandarttheory.Mr.HuangYaomianonpoliticalactivitiesintheliteraryactivitiesaresuccesses,withadistinctiveindependentpoliticalviews,democraticstyleofthoughtfulideasandfruitfulacademicreputationathomeandabroad.Hisuniqueartisticaestheticsstillshineswiththelightofwisdom,hisliterarythoughtpractical,subjective,aestheticevaluationtheory,typicaltheory,theoryofartandartforms,literarycriticismandliterarytheoryofeducation,aswellasitsownlifepracticeandpracticesoyoucanincorporateliteratureliteraryandartisticaestheticslifepracticecarriedouttoexaminethisissue.Takinghisliteraryestheticsthoughtastheresearchobject,reviewsrelateddocuments,understandingofhislifeandthecreationbackground,thereistheoverallgraspoftheaestheticthoughtofliteratureandart;analysisofhislifeonthepracticeofaestheticthoughtofliteratureandartcreationprocess,andthedevelopmentofthebasiccontents,maincharacteristicsandsignificanceandlimitations.Thispaperisdividedintosixparts:introduction,theintroductionmainlyintroducestheresearchcontent,thesignificanceandthevalue,thesummaryofdomesticresearchonHuangYaomian,introducedtheideas,frameworkandresearchmethodofthethesis,abriefdiscussionoftheaestheticsofliteratureandartofMr.HuangYaomiancalledthecauseandbasisoflifepracticeofaestheticsofliteratureandart,lifediscussiononthepracticeofaestheticsofliteratureandotherformsofartaestheticsimilaritiesanddifferences.Thefirstchapterintroducesthelifeandthoughtofhis,hislifeandworksthroughtheelaboration,andthecreativeprocessandgrasptheacademicstage,theoreticalpedigreeanalysisofitsaestheticsandliterarystudy,lookingforhisliterarytheoryresearchwithliteraryaestheticsinwhataspectsofthesubjectcharacterandtheoreticalcharacteristics,analysisofthelifepracticetheoryaestheticsofliteratureandartformofpersonalcontextandthecontextofthetimes.Themainpointofthesecondchapterintroducesthepracticeofhislifeofliteraryaesthetics,respectively,onthebirthofbeauty,beautyandart,beautyistheaestheticevaluationofthethreeFestival,hisaestheticsofliteratureandartfromalargenumberofacademicthesis,summary,analysis,summeduphislifepracticetheartaestheticmainpointofview,thetheoreticalconnotationandtraitgraspontheaestheticsofliteratureandartfromthelifepracticeof.ThethirdchapteranalyzesthepracticaldimensionofthelifeofHuangYaomianpracticetheoryofliteraryaesthetics,fromHuangYaomianalotofcreativepracticeworksandcriticismpracticeworksforthetypical,moredeep,morespecificanalysisofHuangYaomianlivesonpracticeofliteraryaesthetics,andthroughthislifeofHuangYaomianpracticetheoryofliteraryaestheticspracticaldimensionofthegrasp,tofindtheirideasconnotation.Thefourthchapterofhislifetheorycharacteristicanalysisonpracticeofliteraryaesthetics,pointsforattentionintheapplicationofaestheticsofMarxismLeninism,emphasizetheculturalaccumulationandinheritanceofculture,adheretothepracticeandsubjectivityunifiedthethreequarter,accordingtothetheoryofaestheticsofliteratureandartthemaincontentandthepracticeanalysisofhislifepracticetosummarizethegeneralsituation,thetheoreticalcharacteristics,analysisthetheoryofthecharacteristicofthesimilaritiesanddifferencesandinternalrelations,andcomparedthecharacteristicsandotherformsofliteraryaesthetics,whichhighlightstheuniquehislifepracticeofliteraryaesthetics.Thelastpartistheepilogue,summarizesthegeneral,mainlyrevealsthelifepracticeofliteraryaestheticseffectandvaluetheory,includingthemeaningandstatusofliteraryaesthetics,theoryofhisacademiccontributiontothelifepractice,anditstheoreticallimitationsarediscussed.Mr.HuangYaomianisafamouscontemporaryliterarytheorist,itsveryorig